From: [email protected]
To: [email protected]
Subject: Mail digest
Date: Wed, 29 Sep 1999 21:50:35 +0200 (METDST)
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: Re: MP: Mandy's birth number
Date: Tue, 28 Sep 1999 15:25:07 EDT
In a message dated 9/28/99 9:14:42 AM Pacific Daylight Time,
[email protected] writes:
<< And, as we all know, two Wongs don't make a white. >>
:::::sound of groaning heard from Mandyfans across the globe:::::
Kendal ... oh, Lord, that was *bad* ;-P
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: Parent Soup archive?
Date: Tue, 28 Sep 1999 15:06:42 -0500
Maybe Diane will remember this......
Last time I was on this list Kathryn Grody's parent soup articles were
posted periodically. I was so impressed with one column in particular
entitled "Rachel's Wedding" that I saved it for a long time. Whe the ex
moved out last September he took the computer with him and THAT file.
Would anyone still have that archived somewhere or where would y'all
suggest I look for it?
Jenny
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: OFF: Anthony Warlow
Date: Tue, 28 Sep 1999 19:39:05 -0400
I received my two AW cd's yesterday and really like them. Of course I just
love those old songs and the show-tunes; that's how I got became a Mandy
fan in the first place (aside from Yentl and Princess Bride)--Liz H.
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: Re: Parent Soup archive?
Date: Tue, 28 Sep 1999 18:56:44 -0400
At 03:06 PM 9/28/99 -0500, Jennifer Jacobson wrote:
>Last time I was on this list Kathryn Grody's parent soup articles were
>posted periodically. I was so impressed with one column in particular
>entitled "Rachel's Wedding" that I saved it for a long time.
>Would anyone still have that archived somewhere
Here you go!
-Char
RACHELS' WEDDING
Rachel just called. She is getting married and wanted to know if I would
please come to the upstate home of her childhood, on a hopefully beautiful
fall day, and celebrate with her. After all, she had been at my wedding,
seventeen years ago. Indeed she had. I have a picture of her amidst those
long ago festivities. She was the Jewish beauty I had always longed to be
(I have spent my life explaining that, despite my name and my blue eyes,
I'm not Irish ): enormous, deep, dark eyes and thick, jet black hair. She
was fourteen years old that June day, and now is the first child who
attended my wedding old enough to be having one herself . She is now the
same age I was when I vowed to love my young mate forever.
After telling Rachel that I wouldn't miss her wedding, I hung up the phone
and begin to weep. I was crying out of genuine joy that this delicious
person has found her mate. And I was weeping because she is about to begin
the most daring and perilous of journeys. No rock climbs, sky dives, desert
wanderings or wilderness expeditions can compare to the unpredictable road
she and her love are about to embark upon. And they are both totally brave
and totally innocent, as they have to be, because they have never ventured
into this territory before, and there is no way anyone can forewarn them of
its exquisite vistas or perilous depths because the path is so different
for every couple that dares to take it. I have this image of them dressed
in white, in a redwood forest, leaving a trail strewn with bits of courage
and love, as they find their way.
Rachel's proceedings brought me back to the beginning of my own, of course.
My husband appeared at our first official date, a village breakfast,
bearing small yellow mums, and told me before he sat down, that he just
wanted me to know that he was going to marry me. I told him that he was
going to be very disappointed because I didn't believe in marriage, and
quoted all the radical feminists that I had discovered in my college days,
not knowing that morning, that they had so little to do with who I actually
was.
We spent the afternoon strolling along the abandoned docks of downtown,
full of spilling feeling. This very young man told me that nothing
frightened him more than having a relationship, except the possibility of
losing one with me. I told him that was what everyone said at first, just
wait. We talked and sobbed the afternoon away, I refused to see him till
the following week, needing the time to still my intuitive heart, because I
knew I had spent the morning with the father of my future children.
Both our instincts were dead on because two years after our breakfast we
were married. At our traditional ceremony, I changed the phrase "I will be
married to you forever" to "I will love you forever", because I said I
didn't know what marriage meant but that whatever happened, I knew I would
love this young man forever, so I could promise that. Seventeen years later
I still love that slightly less young man of mine, but I am still in the
process of learning what marriage means.
This is what I know so far: In marriage I have experienced the greatest joy
and deepest agony. No one has made me angrier than my husband, and there is
no one I feel safer with. I cannot imagine having our children without him
beside me, and we have turned out to be very different kinds of parents. I
have had to learn to fight, and he has had to learn to listen. I've had to
express feelings that I'm more comfortable hiding, and he has had to learn
to lasso his exploding ones. It has meant living with the contradiction
that the person I need more than any other, that I feel more deeply
connected to than any other, is also the person who enrages me and can make
me feel more alone than anyone else can. Over these years we have thrilled
each other beyond our expectations, moved each other more deeply than we
thought possible, roared often with raucous laughter, and have also
profoundly disappointed each other. After seventeen years we are still a
work in progress. But now I could vow, from experience, that I do long to
be married forever. I don't take it for granted, but it's a goal I want to
get to.
Years ago, when I was engaged to be married, I overheard a man talking
about my future husband, and when I answered his question, he said "Oh, are
you related to him?" I paused, somewhat stunned at the enormity of his
response. I caught my breath and said, "I am about to be." So for Rachel,
and anyone else who is "about to be," my husband and I are in the middle of
those woods you are about to wander in. They are full of extraordinary
beauty and dangerous demons, but most of all, they are full of amazing
life.
Hold hands tightly as you walk, dance, run and tiptoe along your way. If
you need company or compass we will be there, just a couple of decades
ahead of you, looking for the light of your journey, holding the light from
ours , with the greatest love, and yes, Rachel, I will be there to see you
begin as you saw me begin and I would be thrilled to come to your wedding.
~ By Kathryn Grody
********************************************************************
Mandy Patinkin - High Flying Adored
http://home.att.net/~mosert/char/mandy.htm
********************************************************************
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: MP: That's our Boy
Date: Tue, 28 Sep 1999 21:02:28 EDT
Since there seems to be a dirth of real Mandy related items on the list, I
forward the following e-mail that I received from a friend of mine who works
for United Airlines.
<< I have a very brief Mandy story for you. Many times, we hear stories of
different celebrities from our co-workers at LAX. They are NOT always
complimentary!
But a co-worker who previously worked with us in Reservations happened to
wait on Mandy at the ticket counter recently. The young man, who normally
maintains his composure no matter who the customer, was overcome when he saw
Mandy opposite him across the ticket counter. He could barely mutter
something to the effect of "I think you're awesome!" You'll be pleased to
know that Mandy was very gracious, and thanked our friend for the
compliment.>>
But of course he was!
:-> Wendy
P.S. As to the websites I posted with the Mandy photo and CH episode guide,
sorry, I copied and pasted them directly, so don't know why they don't work
(as a few people have informed me). But if you want to find the pages, start
with the CBS site and go to Television and search out CH and you'll
eventually get where I did.
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: Numbers
Date: Tue, 28 Sep 1999 19:38:53 -0700
Let's count the number of women that we know Mandy has dated or been
involved with.... I'm especially interested in the one that made him have
to go on vacation because she broke up with him and he still had to finish
the run of a play....Carol
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: Re: Numbers
Date: Wed, 29 Sep 1999 00:30:33 EDT
In a message dated 9/28/99 8:41:36 PM Pacific Daylight Time, [email protected]
writes:
<<
Let's count the number of women that we know Mandy has dated or been
involved with.... I'm especially interested in the one that made him have
to go on vacation because she broke up with him and he still had to finish
the run of a play....Carol >>
OK now here is a number game I can get behind.
1 (the girl from the play ) 2 me.
Next.
KJ
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: OFF: AW
Date: Wed, 29 Sep 1999 07:30:19 -0400
I forgot to add thanks to whoever posted the recent mention of the
Anthony Warlow recordings--Liz H.
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: Re: Numbers
Date: Wed, 29 Sep 1999 08:09:55 EDT
In a message dated 9/29/99 1:20:08 AM Eastern Daylight Time, [email protected]
writes:
<< Let's count the number of women that we know Mandy has dated or been
involved with.... I'm especially interested in the one that made him have
to go on vacation because she broke up with him and he still had to finish
the run of a play....Carol >>
Is this a Mandy story I don't know, or just an inside joke I'm not privy to?
I'm dying of curiosity! Was Mandy a real rake before he got married? Does
anybody know?
Laura
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: Re: OFF: Anthony Warlow
Date: Wed, 29 Sep 1999 08:00:29 -0500
>>> Chuck Hinchman 09/28/99 06:39PM >>>
>I received my two AW cd's yesterday and really like them. Of >course I =
just love those old songs and the show-tunes; that's >how I got became a =
Mandy fan in the first place (aside from >Yentl and Princess Bride)--Liz =
H.
Which two did you get?
DR <-- speaking of Yentl, places like grocery stores shouldn't be allowed =
to play Babs singing "The Way He Makes Me Feel" - huge danger of shopping =
cart collisions during "...every time I close my eyes he's there/The water =
shining on his skin, the sunlight in his hair..." Ooh baby.
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: Re: OFF: AW
Date: Wed, 29 Sep 1999 08:12:00 -0500
>>> Chuck Hinchman 09/29/99 06:30AM >>>
> I forgot to add thanks to whoever posted the recent >mention of =
the Anthony Warlow recordings--Liz H.
One of them would be me. ;) And you're very welcome. I'd thank YOU for =
giving AW a listen, but that's it's own reward!
DR
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: Re: Numbers
Date: Wed, 29 Sep 1999 08:16:04 -0700
[email protected] wrote:
> In a message dated 9/28/99 8:41:36 PM Pacific Daylight Time, [email protected]
> writes:
>
> <<
> Let's count the number of women that we know Mandy has dated or been
> involved with.... I'm especially interested in the one that made him have
> to go on vacation because she broke up with him and he still had to finish
> the run of a play....Carol >>
> OK now here is a number game I can get behind.
> 1 (the girl from the play ) 2 me.
> Next.
> KJ
Ha! I know that Jo, Smitty and I have the tropical locale pictures to 'prove'
our pasts with him ;)
Marianne
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: Re: Numbers
Date: Wed, 29 Sep 1999 11:23:37 EDT
In a message dated 9/29/99 8:17:40 AM Pacific Daylight Time,
[email protected] writes:
<<
Ha! I know that Jo, Smitty and I have the tropical locale pictures to
'prove'
our pasts with him ;)
>>
Marianne, we are counting dear.. not claiming. Just do your addition. ( i
have seen those pictures, she is telling the truth ! )
KJ
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: Re: Numbers
Date: Wed, 29 Sep 1999 09:02:04 -0700
I just hate it when I show my 'math ignorance' in public.
Marianne <---1+0=1
[email protected] wrote:
> In a message dated 9/29/99 8:17:40 AM Pacific Daylight Time,
> [email protected] writes:
>
> <<
>
> Ha! I know that Jo, Smitty and I have the tropical locale pictures to
> 'prove'
> our pasts with him ;)
> >>
> Marianne, we are counting dear.. not claiming. Just do your addition. ( i
> have seen those pictures, she is telling the truth ! )
> KJ
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: Elmo in Grouchland Review -- zestfully hammy?
Date: Wed, 29 Sep 1999 12:46:56 EDT
''Elmo'' strictly for video viewing
The Adventures of Elmo in Grouchland (Kidpic, color, G,
1:13)
By Joe Leydon
HOUSTON (Variety) - Preschoolers will be tickled by ``The
Adventures of Elmo in Grouchland,'' an excessively winsome
comedy aimed at little ones who might find Barney the Purple
Dinosaur too intimidating.
But this latest Muppet movie -- only the second, after
1985's ``Follow That Bird,'' to showcase the ``Sesame Street''
menagerie -- is too tepid to interest anyone old enough to
operate a TV remote control. Even so, there's a silver lining
for the folks at Jim Henson Pictures: after a brief theatrical
run, ``Elmo'' will doubtless generate brisk video sales,
enjoying a long afterlife as an electronic babysitter.
Tissue-thin plot focuses on an eventful journey taken by
Elmo, the little red furball voiced by Kevin Clash. Normally a
mild-mannered homebody, the cute critter is forced to leave his
Sesame Street stomping grounds when his beloved blanket is
accidentally tossed into the infamous garbage can of Oscar the
Grouch (Carol Spinney). Elmo jumps into the can to retrieve his
animated blue buddy, only to find himself in Oscar's messy
living room. One thing leads to another, a secret passageway
opens -- and Elmo, along with his blanket, is sucked into a
swirling tunnel that carries him to Grouchland, the yuckiest
place in the universe.
As Elmo traverses the trashy metropolis -- a city where
children order anchovies on their ice cream and women get
makeovers at the Ugly Parlor -- he runs afoul of Huxley (Mandy
Patinkin), a bombastic, bushy-browed bad guy whose selfishness
has no bounds. He claims Elmo's blanket as his own, then flies
back to his fortress in his giant flying machine. Not
surprisingly, Elmo follows -- and is in turn followed by Big
Bird, Oscar and various other denizens of Sesame Street.
Working from a script by Mitchell Kriegman and Joseph
Mazzarino, director Gary Halvorson -- a TV vet making his
feature debut -- somehow manages to make pic seem at once
frenetic and soporific. There is a great deal of activity --
singing, dancing, wallowing in garbage, learning of life lessons
-- but absolutely nothing is allowed to get out of hand. Indeed,
each time a modest amount of suspense is generated, the pic
stops dead in its tracks so the affable Bert and Ernie can
appear onscreen to tell the audience that there's nothing to
worry about, everything will turn out OK.
``Elmo in Grouchland'' is very much an
audience-participation pic -- characters repeatedly address the
camera and share their feelings or ask for encouragement. And
just to make sure the target audience knows how to respond, the
pic comes equipped with the equivalent of a sitcom laughtrack.
Unseen children laugh, cheer, clap and sing along. How sweet.
Patinkin, who looks and sounds as though he's channeling the
spirit of Anthony Newley, gives a zestfully hammy -- but, of
course, not very frightening -- performance. And Vanessa
Williams is an exceptionally radiant Queen of Trash while
warbling one of the pic's many aggressively cheery and instantly
forgettable songs. Other human stars, including ``Sesame
Street'' regulars, fail to register much impact. Standout among
the new Muppet puppets is Bug the Bug (Joseph Mazzarino),
Huxley's loyal but ineffective assistant.
Elmo, Big Bird and the other vet ``Sesame Street'' puppets
go through their familiar paces with kid-friendly charm. Tech
values are appropriately garish and colorful.
Voices:
Elmo, Pestie, Grouch Jailer,
Grouch Cab Driver .............. Kevin Clash
Zoe, Pestie, Prairie Dawn ....... Fran Brill
Grizzy, Pestie .................. Stephanie D'Abruzzo
Humongous Chicken ............... Dave Goelz
Bug ............................. Joseph Mazzarino
Count, Pestie, Grouch Mayor,
Grouch Cop ...................... Jerry Nelson
Telly, Pestie ................... Martin P. Robinson
Baby Bear, Caterpillar,
Pestie, Collander Stenchman,
Ice Cream Customer .............. David Rudman
Big Bird, Oscar ................. Caroll Spinney
Ernie, Stuckweed, Football Stenchman,
Ice Cream Vendor, Parrot ........ Steve Whitmire
Bert, Grover, Cookie Monster .... Frank Oz
With:
Huxley .......................... Mandy Patinkin
Queen of Trash .................. Vanessa Williams
Maria ........................... Sonia Manzano
Gordon .......................... Roscoe Orman
Rosita .......................... Carmen Osbahr
Gina ............................ Alison Bartlett-O'Reilly
Ruthie .......................... Ruth Buzzi
Luis ............................ Emilio Delgado
Susan ........................... Loretta Long
Bob ............................. Bob McGarth
A Sony Pictures Entertainment release of a Columbia Pictures
presentation of a Jim Henson Pictures presentation of a
Children's Television Workshop production. Produced by Alex
Rockwell, Marjorie Kalins. Executive producers, Brian Henson,
Stephanie Allain, Martin G. Baker. Co-producers, Kevin Clash,
Thomas M. Bourne.
Directed by Gary Halvorson. Screenplay, Mitchell Kriegman,
Joseph Mazzarino. Camera (Deluxe color), Alan Caso; editor, Alan
Baumgarten; music, John Debney; music supervisor, Andy Hill;
production designer, Alan Cassie; art director, William G.
Davis; costume designer, Polly Smith; sound (Dolby/SDDS), Carl
S. Rudisill; puppeteer captain, Kevin Clash; Muppet stunt
supervisor, Fred Buchholz; assistant director, Seth Cirker.
Reviewed at Cinemark Westchase Tinseltown Theater, Houston,
Sept. 25, 1999.
Reuters/Variety
03:20 09-29-99
Copyright 1999 Reuters Limited. All rights reserved. Republication or
redistribution of Reuters content, including by framing or similar means, is
expressly prohibited without the prior written consent of Reuters. Reuters
shall not be liable for any errors or delays in the content, or for any
actions taken in reliance thereon. All active hyperlinks have been inserted
by AOL.
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: Re: Elmo in Grouchland Review -- zestfully hammy?
Date: Wed, 29 Sep 1999 10:10:52 -0700
That is interesting because when they originally tested the film, they were
surprised at how scared the kids were. So, when they were editing it, they
added in the characters speaking to the audience, and the audience participation
stuff. Really to make it more like Sesame Street. They ran an article about it
the latest issue of Sesame Street parent. I shall be there with my three year
old, cheering Elmo on! I can't wait.
[email protected] wrote:
> ''Elmo'' strictly for video viewing
>
> The Adventures of Elmo in Grouchland (Kidpic, color, G,
> 1:13)
>
> By Joe Leydon
>
> HOUSTON (Variety) - Preschoolers will be tickled by ``The
> Adventures of Elmo in Grouchland,'' an excessively winsome
> comedy aimed at little ones who might find Barney the Purple
> Dinosaur too intimidating.
>
> But this latest Muppet movie -- only the second, after
> 1985's ``Follow That Bird,'' to showcase the ``Sesame Street''
> menagerie -- is too tepid to interest anyone old enough to
> operate a TV remote control. Even so, there's a silver lining
> for the folks at Jim Henson Pictures: after a brief theatrical
> run, ``Elmo'' will doubtless generate brisk video sales,
> enjoying a long afterlife as an electronic babysitter.
>
> Tissue-thin plot focuses on an eventful journey taken by
> Elmo, the little red furball voiced by Kevin Clash. Normally a
> mild-mannered homebody, the cute critter is forced to leave his
> Sesame Street stomping grounds when his beloved blanket is
> accidentally tossed into the infamous garbage can of Oscar the
> Grouch (Carol Spinney). Elmo jumps into the can to retrieve his
> animated blue buddy, only to find himself in Oscar's messy
> living room. One thing leads to another, a secret passageway
> opens -- and Elmo, along with his blanket, is sucked into a
> swirling tunnel that carries him to Grouchland, the yuckiest
> place in the universe.
>
> As Elmo traverses the trashy metropolis -- a city where
> children order anchovies on their ice cream and women get
> makeovers at the Ugly Parlor -- he runs afoul of Huxley (Mandy
> Patinkin), a bombastic, bushy-browed bad guy whose selfishness
> has no bounds. He claims Elmo's blanket as his own, then flies
> back to his fortress in his giant flying machine. Not
> surprisingly, Elmo follows -- and is in turn followed by Big
> Bird, Oscar and various other denizens of Sesame Street.
>
> Working from a script by Mitchell Kriegman and Joseph
> Mazzarino, director Gary Halvorson -- a TV vet making his
> feature debut -- somehow manages to make pic seem at once
> frenetic and soporific. There is a great deal of activity --
> singing, dancing, wallowing in garbage, learning of life lessons
> -- but absolutely nothing is allowed to get out of hand. Indeed,
> each time a modest amount of suspense is generated, the pic
> stops dead in its tracks so the affable Bert and Ernie can
> appear onscreen to tell the audience that there's nothing to
> worry about, everything will turn out OK.
>
> ``Elmo in Grouchland'' is very much an
> audience-participation pic -- characters repeatedly address the
> camera and share their feelings or ask for encouragement. And
> just to make sure the target audience knows how to respond, the
> pic comes equipped with the equivalent of a sitcom laughtrack.
> Unseen children laugh, cheer, clap and sing along. How sweet.
>
> Patinkin, who looks and sounds as though he's channeling the
> spirit of Anthony Newley, gives a zestfully hammy -- but, of
> course, not very frightening -- performance. And Vanessa
> Williams is an exceptionally radiant Queen of Trash while
> warbling one of the pic's many aggressively cheery and instantly
> forgettable songs. Other human stars, including ``Sesame
> Street'' regulars, fail to register much impact. Standout among
> the new Muppet puppets is Bug the Bug (Joseph Mazzarino),
> Huxley's loyal but ineffective assistant.
>
> Elmo, Big Bird and the other vet ``Sesame Street'' puppets
> go through their familiar paces with kid-friendly charm. Tech
> values are appropriately garish and colorful.
>
> Voices:
>
> Elmo, Pestie, Grouch Jailer,
>
> Grouch Cab Driver .............. Kevin Clash
>
> Zoe, Pestie, Prairie Dawn ....... Fran Brill
>
> Grizzy, Pestie .................. Stephanie D'Abruzzo
>
> Humongous Chicken ............... Dave Goelz
>
> Bug ............................. Joseph Mazzarino
>
> Count, Pestie, Grouch Mayor,
>
> Grouch Cop ...................... Jerry Nelson
>
> Telly, Pestie ................... Martin P. Robinson
>
> Baby Bear, Caterpillar,
>
> Pestie, Collander Stenchman,
>
> Ice Cream Customer .............. David Rudman
>
> Big Bird, Oscar ................. Caroll Spinney
>
> Ernie, Stuckweed, Football Stenchman,
>
> Ice Cream Vendor, Parrot ........ Steve Whitmire
>
> Bert, Grover, Cookie Monster .... Frank Oz
>
> With:
>
> Huxley .......................... Mandy Patinkin
>
> Queen of Trash .................. Vanessa Williams
>
> Maria ........................... Sonia Manzano
>
> Gordon .......................... Roscoe Orman
>
> Rosita .......................... Carmen Osbahr
>
> Gina ............................ Alison Bartlett-O'Reilly
>
> Ruthie .......................... Ruth Buzzi
>
> Luis ............................ Emilio Delgado
>
> Susan ........................... Loretta Long
>
> Bob ............................. Bob McGarth
>
> A Sony Pictures Entertainment release of a Columbia Pictures
> presentation of a Jim Henson Pictures presentation of a
> Children's Television Workshop production. Produced by Alex
> Rockwell, Marjorie Kalins. Executive producers, Brian Henson,
> Stephanie Allain, Martin G. Baker. Co-producers, Kevin Clash,
> Thomas M. Bourne.
>
> Directed by Gary Halvorson. Screenplay, Mitchell Kriegman,
> Joseph Mazzarino. Camera (Deluxe color), Alan Caso; editor, Alan
> Baumgarten; music, John Debney; music supervisor, Andy Hill;
> production designer, Alan Cassie; art director, William G.
> Davis; costume designer, Polly Smith; sound (Dolby/SDDS), Carl
> S. Rudisill; puppeteer captain, Kevin Clash; Muppet stunt
> supervisor, Fred Buchholz; assistant director, Seth Cirker.
> Reviewed at Cinemark Westchase Tinseltown Theater, Houston,
> Sept. 25, 1999.
>
> Reuters/Variety
>
> 03:20 09-29-99
> Copyright 1999 Reuters Limited. All rights reserved. Republication or
> redistribution of Reuters content, including by framing or similar means, is
> expressly prohibited without the prior written consent of Reuters. Reuters
> shall not be liable for any errors or delays in the content, or for any
> actions taken in reliance thereon. All active hyperlinks have been inserted
> by AOL.
----------------Message-boundary
From: [email protected]
To: [email protected]
Subject: CH Ratings
Date: Wed, 29 Sep 1999 14:56:47 -0400 (EDT)
Also bad news on the CH ratings front. The season opener last week drew the
lowest numbers ever for a CH premiere. (Read it in the Washington POST today.)
Brenda
Brenda W. Clough, author of HOW LIKE A GOD from Tor Books.
http://www.sff.net/people/Brenda
----------------Message-boundary--
-- End --